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Three Hymns Of The Cross
For traditional woodwind quintet scoring with optional alto sax and bass clarinet parts, this piece begins in a plaintive fashion moving toward a central, Celtic flavor–returning to the opening mood.
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Brethren We Have Met To Worship
For traditional woodwind quintet scoring with optional alto sax and bass clarinet parts, this piece begins in a plaintive fashion moving toward a central, Celtic flavor–returning to the opening mood. optional parts: ASax for Horn and BCl for Bssn.
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Brethren We Have Met/Worship
A quartet for two trumpets and two trombones the piece begins in a straight forward fashion. A second verse uses a duet statement and the adds fanfare flourishes. Transition material uses imitation and a more legato style. After a series of melodic bell tones the piece ends in straight forward fashion once again with running bass and then closes with a unison motif and balance chord.