-
God Rest Ye Merry Gentlemen
A flute solo with orchestra presents itself with a sense of flair- much in a rhapsodic fashion. It has continual embellishment of the theme. Very merry! Very joyful!
-
God Rest Ye Merry Gentle Brass
Presented in an almost march-like nature, this stately rendition includes all kinds of “fun” devices. A sure hit for the lighter side of a Christmas presentation.
-
God Rest Ye Good Christian Men
This brass duet is scored for French horn, Trombone and Piano with optional trumpet for horn and baritone for trombone. While moderately easy it is joyfully colorful in passing the themes between parts and adding splashes of melodic motives as well. The piece uses a lot of imitation and hocket devices to keep the players and listeners all rejoicing.
-
God Rest Ye Merry Gentlemen
A flute solo with piano presents itself with a sense of flair- much in a rhapsodic fashion. It has continual embellishment of the theme. Very merry! Very joyful!
-
God Rest Ye Merry Gentlemen Merry Gentlemen Merry Gentlemen
flute 1,2, oboe, clarinet substitute for , oboe, trumpet 1,2,3, horn 1,2, trombone 1,2,3, tuba, violin 1, 2, viola, cello, string bass, percussion (3 players): bells, chimes, snare drum, timp., synthesizer string reduction
-
God Rest Ye Merry Gentlemen
Trumpet 1, Trumpet 2, Horn or Alto Sax, Trombone 1 or Tenor Sax, Bass Trombone or Baritone Sax, Piano, Bass, Drums, Optional Tuba. Most have an optional flute part as well.
-
-
God Rest Ye Merry Gentlemen
Written in a “theme and variations” form, this creative work explores several treatments of the favorite carol, building to a very dramatic ending. This work also provides excellent music education, passing through several keys and meters in 5/4 as well as a unique 6/8 treatment. Your musicians will love this arrangement!
-
God Rest You Merry, Gentlemen
Four Plus Brass Series- for two Trumpets and two Trombones (with opt. Horn and Tuba for color). In alla breve, the style is pensive a thoughtful of mankind at peace with their situation The trumpets carry the tune throughout the whole first section until it goes into a imitative section with the trombones. After a modulation takes place the trombones carry the tune much in the same style as the trumpets, earlier. The final section becomes more relaxed where it lies in simple relation.