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Christ The Lord Is Risen Today
$8.00This is a hymn that is typically portrayed in a stately and somewhat more reserved fashion, but this arrangement exudes a sense of joy. The theme alternates back and forth between solid ensemble harmonic structures to other times of imitation and motivic snatches. Again, the whole flavor of the piece is one of exuberance – as to the thought of the text itself.
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Christ The Lord Is Risen Today
$8.00This is a hymn that is typically portrayed in a stately and somewhat more reserved fashion, but this arrangement exudes a sense of joy. The theme alternates back and forth between solid ensemble harmonic structures to other times of imitation and motivic snatches. Again, the whole flavor of the piece is one of exuberance – as to the thought of the text itself.
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Christ The Lord Is Risen Today
$19.95A majestic Easter fanfare introduction leads into a legato call and response section, then, with independent lines, the melody continues until the final burst of spirit as a finale.
Brass Quintet (2-Trp, Hrn, Tbn, Tba – optional A. Sx. For Hrn) -
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Christ The Lord Is Risen Today
$30.00(in manuscript at this time)(as recorded by the Hollywood Bowl Orchestra) 22 or more brass with organ and percussion; C and D trumpets required (as rec’d by the Hollywood Bowl Orch)
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Christ The Lord Is Risen Today
$60.00This prelude, based on the familiar Easter hymn, begins with a subdued introduction, reminding us of a pre-dawn Easter morning. Thematic motives move us to the first theme statement, followed by a variation featuring bright antiphonal syncopated patterns. The next section builds toward the final triumphant presentation of the theme.
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Christ The Lord Is Risen Today
$9.00This is a brass trio with piano accompaniment. The brass scoring is for trumpet, horn or flugel horn, and trombone or baritone. The style is presented in a majestic manner first in block harmonies and then in a hocket structure. After a florid manner the piece follows a somewhat straight forward manner using fanfare motives in the upper parts the motion becomes more imitative. The final section is quite imitative and uses an overlayering of parts producing enjoyable passing around of the tune in a contrapuntal manner. With a final fanfare the piece concludes.
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Christ The Lord Is Risen
$5.50A brass solo in a Theme and Variation form. It starts out with a joyous introduction and then breaks into an antiphonal set of response of the tune. The first variation is essentially a descant while the piano carries the tune. The second variation is more contrapuntal in the piano while the solo carries on a fanfare-like obbligato. After a brief transition the piece concludes with a bold statement of the tune while being under-pinned with a walking bass line.
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Christ The Lord Is Risen
$5.50A brass solo in a Theme and Variation form. It starts out with a joyous introduction and then breaks into an antiphonal set of response of the tune. The first variation is essentially a descant while the piano carries the tune. The second variation is more contrapuntal in the piano while the solo carries on a fanfare-like obbligato. After a brief transition the piece concludes with a bold statement of the tune while being under-pinned with a walking bass line.
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Christ The Lord Is Risen
$5.50A brass solo in a Theme and Variation form. It starts out with a joyous introduction and then breaks into an antiphonal set of response of the tune. The first variation is essentially a descant while the piano carries the tune. The second variation is more contrapuntal in the piano while the solo carries on a fanfare-like obbligato. After a brief transition the piece concludes with a bold statement of the tune while being under-pinned with a walking bass line.
