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Battle Of Jericho, The
A traditional brass quintet instrumentation with optional sixth part baritone, this piece changes colors as the melody is passed between the various voices. The walls even fall down at the end.
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And Can It Be
This duet is scored for trumpet, trombone, and piano with optional horn and baritone parts. The melody is passed back and forth between the two duet lines and modulates between several keys, giving over to a stirring ending.
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Savior, Like A Shepherd Lead Us
Scored for trumpet, horn, trombone and piano with optional parts for trumpet and baritone the piece moves along in a rather unpretentious manner with thematic material passed around between the brass voices.The piece settles down in to a final rest.
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Shelter In The Time Of Storm, A
Scored for trumpet, trombone (opt. Horn and baritone) with piano the piece starts with a simple duet line where it departs to more imitative and contrapuntal lines only to end with the simple duet writing.
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I Sing The Mighty Power Of God
A brass duet for trumpet, trombone (opt. Horn) and piano which presents itself in a manner where both instrumentalist state the theme and have some contrapuntal dialog as well. It is an easier piece both has interest for the performer and listener.
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Springs Of Living Water
A unaccompanied flute quartet with optional fourth part clarinet. The introduction begins with a “bubbling” motive which leads into the tune stated in the lower voices with responses interspersed in the upper voices. After a short flourish the melodic material resurfaces like the beginning. A modulated interlude is tossed about leading into a another modulation with extraneous motives. And yet, another modulation where the melody is more staid until it leads into another modulation which acts as a coda concluding with a celebratory flourish.
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Come, Ye Thankful People, Come
This Thanksgiving delight is scored for four trumpets with an optional horn part. While the melody is well-stated, it is punctuated with many obbligato motifs.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Onward Christian Soldiers
A straightforward entry level percussion ensemble for five instruments. The piece begins with a simple marching cadence joined in with the bells playing the tune. The second section takes the bells up an octave for interest only to return to the lower octave. After a final flourish in the general percussion the bells join back in for a final statement.- Can be done with four or five players.
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Faith Is The Victory
This mallet solo with piano accompaniment exudes joy from the very opening. It uses single note melodies it also requires some multiple mallet harmony work. The final section lets loose with a barrage of excitement making use of the entire keyboard.
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Guide Me O Great Jehovah
This brass solo with piano, this piece is written in march style displaying great resolve. The central sections present new thematic material followed by modified titled hymn materials giving a sense of unity to the piece. It ends with a solid flourish.
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Guide Me O Great Jehovah
This brass solo with piano, this piece is written in march style displaying great resolve. The central sections present new thematic material followed by modified titled hymn materials giving a sense of unity to the piece. It ends with a solid flourish.
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Guide Me O Great Jehovah
This brass solo with piano, this piece is written in march style displaying great resolve. The central sections present new thematic material followed by modified titled hymn materials giving a sense of unity to the piece. It ends with a solid flourish.
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God Of Our Fathers
For a larger percussion ensemble, this piece is scored for three mallet parts as well as bass percussion instruments and timpani. This rendition gives all the majesty that is generally associated with this great hymn.
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Hold The Fort
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise.
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Rescue The Perishing
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of joy and satisfaction.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.