This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise.7

This is a cello solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This is a violasolo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This is a tuba solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This is a trombone solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This is a horn solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This is a alto sax solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This is a clarinet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This is a bassoon solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.

This solo with piano is presented in a militaristic venue. The interlude section displays fanfare motifs and then moves back to the opening style. The piece ends in a bold statement of faith-musically.

This solo with piano is presented in a militaristic venue. The interlude section displays fanfare motifs and then moves back to the opening style. The piece ends in a bold statement of faith-musically.

Opening with a tender, contemplative statement, the embellished medley of this solo presents itself only to soar with a meaningful obbligato line, and then settle back into a sense of assurance that this grand old hymn exemplifies.

This is a violin solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.