This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.

This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.

Taken from the “Messiah”, this bassoon solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..

This bassoon solo is highly reflective in nature and incorparates the titles of :At The Cross”; “There’s Room At The Cross For Me”; “Beneath The Cross Of Jesus”. The piece is gentle and offers the opportunity far a great deal of expression. While there is embellishment of the lines they are done with taste.

A solo that begins with a brief introduction in the piano. The soloists then presents the tune in a straight-forward rendition. The second section presents the tune in the piano while the soloist overlays with a gentle obligato. The third section goes back to the melody briefly and then shifts back to the obligato and then settles into a final repose.

This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.

This oboe solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.

This solo begins with a elegant little motif in the upper register of the piano and then moves downward to a simple accompanying figure. The solo enters in a gentle manner with minor modifications- very much in a restful manner. With an abrupt modulation the tune is modified once more in a different way. After two more modulations in the piano the soloist presents the tune with a more “arpeggiated” way and then settles into a final long note- as if “everything’s okay!”

This bubbly rendition of “Come Thou Fount” is effervescent from beginning to end. It is filled with movement and excitement expressing intense joy throughout.

This oboe solo is highly reflective in nature and incorparates the titles of :At The Cross”; “There’s Room At The Cross For Me”; “Beneath The Cross Of Jesus”. The piece is gentle and offers the opportunity far a great deal of expression. While there is embellishment of the lines they are done with taste.

A solo that begins with a brief introduction in the piano. The soloists then presents the tune in a straight-forward rendition. The second section presents the tune in the piano while the soloist overlays with a gentle obligato. The third section goes back to the melody briefly and then shifts back to the obligato and then settles into a final repose.

This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.