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Amazing Grace
This flute solo is motivically driven much in a Celtic style. Expressive throughout, the piece culminates in a quiet repose.
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Poor Wayfarin’ Stranger
This violin solo is a solemn, expressive piece from beginning to end where the melody is in the solo line. In the middle section the piano presents the tune while the solo line uses the counterline that was used previously by the piano.
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Young Violin Soloist
A solo collection with piano including: “Praise Him All Ye Little Children,” “Abide With Me,” “Dare To Be A Daniel,” “My Jesus I Love Thee,” “Away In A Manger,” “We Gather Together,” ” “Hallelujah! What A Saviour,” and “‘Tis So Sweet To Trust In Jesus.”
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Tis So Sweet to Trust in Jesus
This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced. The arrangement is edited with bowing and fingering
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Hallelujah! What A Saviour!
This solo with piano follows a simple theme and variation form. It gives the young soloist the opportunity to play many styles in a short framework.The arrangement is edited with bowing and fingering marks.
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Away In A Manger
This solo with piano begins with the portrayal of a pastoral setting. The arrangement incorporates both “Flow Gently Sweet Afton” and “Luther’s Hymn”.The arrangement is edited with bowing and fingering marks.
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We Gather Together
This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme. The arrangement is edited with bowing and fingering.
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Dare To Be A Daniel
This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails. The arrangement is edited with bowing and fingering marks.
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Praise Him All Ye Little Children
This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning. The arrangement is edited with bowing and fingering
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Abide With Me
This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest. The arrangement is edited with bowing and fingering marks.
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My Jesus I Love Thee
This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda. The arrangement is edited with bowing and fingering
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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Alleluia!
Scored for various mallet instruments as well as general percussion. The piece begins with tutti percusion overlayed with vocal narrations giving a dramatic effect. The piece then explodes with a mallet ostinato and then joined with tutti mallets on the theme. Next, after a ritardando, the mallets present a calm thematic rendition supported by gentle effects of the other percussion. It builds to a strong climax and the ostinato returns with the theme to follow. The final section uses imitative devices with the general percussion becoming more active. Until it all leads up to a stirring conclusion.
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Jacob’s Dream
A percussion quintet that is accessible for younger players uses several basic instruments. The original melody is present by the bells throughout with various percussive colors by the other instruments. The middle section is a rhythmic break up acting as a contrast to the earlier section. The final section goes back to the design of the first section with more accompanying activity in the non-tonal instruments. The coda section crescendos to an exciting conclusion.
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Rejoice In The Lord
A four part percussion ensemble scored for Bells, Marimba (synth), SD/Tri/Bongo/Sys.Cym/Timp & Tamb. It is a straightforward medley using “Rejoice In The Lord Always” and “This Is My Commandment.” The flavor is driving with the melodic material presented in the mallet instruments while punctuated with the various rhythm instruments involved. A delightful arrangement from beginning to end.
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A Glorious Church
Scored for bells, tambourine, snare drum, tom toms, triangle, tympani, and sus cymbal. The piece incorporates all of the various ensemble colors to introduce the melodic material. After an extensive break up strain, the piece melodicallyconcludes.
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It Is Well With My Soul
A duet for marimba- two players on one instrument. Marimba I plays music in the treble clef, while Marimba II plays music in the bass clef. The first and last sections of the piece are in a solemn style while the middle section moves along at a faster pace. As one would expect most of the notes are played with a tremalo technic and often in duet lines. The middle section is highly arpeggiated in part II. As one would expect the piece is gnerally queit and reflective
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Onward Christian Soldiers
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise. The piece exhibit the opportunity for the soloist to use their command of technique.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The..Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement. (bells & sd)