An upper level violin solo with piano, the piece demands the use of many double stops, and it is very rhapsodic in nature. A medley in structure, included are: “When I Survey,” and “Man Of Sorrows,” with a stirring ending!

An upper level violin solo with piano, the piece demands the use of the broad range of the instrument’s ability. It is very rhapsodic in nature while being expressive throughout- going from simplistic renditions to often embellished melodic alterations.

An upper level violin solo with piano, this joyful piece demands the use of many double stops and large amounts of melodic embellishment. It is very rhapsodic and virtuosic in nature. This medley includes: “Joybells,” and “Heaven Came Down.”

An upper level violin solo with piano, the piece demands the use of many double stops, and it is very rhapsodic in nature and is expressive throughout. As a medley in incorporates “Beneath The Cross,” and “Jesus I My Cross Have Taken.”

An upper level violin solo with piano that makes use of the full range of the instrument. It is very rhapsodic in nature and gives a rather child-like manner even though being technically challenging.

An upper level violin solo with piano, the piece is very rhapsodic in nature, but is expressive throughout. As a medley, it incorporates: “The Name Of Jesus,” The Beautiful Name,” and “Take The Name Of Jesus With You.”

An upper level violin solo with piano that makes use of the full range of the instrument. The piece is very rhapsodic in nature and is expressive throughout. The production is well edited with string instrument markings.

An upper level violin solo with piano, the piece demands the use of many melodic embellishments making it very rhapsodic in nature–it is rather millitant in its portrayal.

An upper level violin solo with piano, the piece demands the use of many double stops and makes use of the full range of the instrument. Though very rhapsodic in nature, it is expressive in nature.

Enthusiasm is the nature of this solo. It goes through many transformations of the melody but continually remains joyous. This piece would serve very well as special music in a service.

A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple transition in the piano. The second verse is much like the first, melodically only supported by changing moods in the piano. The third section melody is in the piano while the soloist presents a gently obbligato. The next transition is more active rhythmically and then concludes in a sense of determined solemnity.

This is a violin solo that begins in a flowing manner and quickly accelerates to a more technical rendition of the tune creating a delightful atmosphere of this grand old hymn. It is effervescent and uplifting.

A violin solo with piano accompaniment. The pieces starts out with piano only and allows the entrance of the solo violin and a rather straight forward rendition of this beloved song. After a brief transition the solo is modified with a constant modified and moving line while being supported by a single voice counterpoint in the left hand of the piano. The chorus is then a bit more staid and the accompaniment more chordal. Another brief piano interlude is stated with melodic material and the piece becomes more fragmented and motivic with a gentle settling to the end.

A solo that begins with a brief introduction in the piano. The soloists then presents the tune in a straight-forward rendition. The second section presents the tune in the piano while the soloist overlays with a gentle obligato. The third section goes back to the melody briefly and then shifts back to the obligato and then settles into a final repose.