This violin solo starts out with piano motive that will be used throughout the piece and is then joined with the solo using the last phrase of the song. The next section uses the tune pretty much in its original form with the piano adding various arpeggios and thematic motives. The piano then presents a flowing version of the song while the soloist adds a idiomatic obbligato… then the final section has the soloist presenting the melody while the piano punctuates an underlying accompaniment. The coda section is much like the introduction and the soloist gives one final thematic motive.

This is a violin solo that begins in a flowing manner and quickly accelerates to a more technical rendition of the tune creating a delightful atmosphere of this grand old hymn. It is effervescent and uplifting.

A violin solo with piano accompaniment. The pieces starts out with piano only and allows the entrance of the solo violin and a rather straight forward rendition of this beloved song. After a brief transition the solo is modified with a constant modified and moving line while being supported by a single voice counterpoint in the left hand of the piano. The chorus is then a bit more staid and the accompaniment more chordal. Another brief piano interlude is stated with melodic material and the piece becomes more fragmented and motivic with a gentle settling to the end.

This violin solo is a solemn, expressive piece from beginning to end where the melody is in the solo line. In the middle section the piano presents the tune while the solo line uses the counterline that was used previously by the piano.

A solo collection with piano including: “Praise Him All Ye Little Children,” “Abide With Me,” “Dare To Be A Daniel,” “My Jesus I Love Thee,” “Away In A Manger,” “We Gather Together,” ” “Hallelujah! What A Saviour,” and “‘Tis So Sweet To Trust In Jesus.”

This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced. The arrangement is edited with bowing and fingering

This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme. The arrangement is edited with bowing and fingering.

This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails. The arrangement is edited with bowing and fingering marks.

This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning. The arrangement is edited with bowing and fingering

This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.

This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering

This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise. The piece exhibit the opportunity for the soloist to use their command of technique.