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When I Can Read My Title Clear
This horn solo begins with a fanfare styled motive of the theme and then calms down to a florid presentation of the tune with a sweeping counterline in the piano. The second section is an imitative interplay between the parts moving into an extended presentation of the melody. The final section is a rather pompous march based on the tune and then moves to a more lyrical movement- much the beginning.
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Trombone or Euphonium Solos for Worship, Vol. 3
Trombone with piano with CD. Parts are printable from CD
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Trombone or Euphonium Solos for Worship, Vol. 3
Trombone with piano with CD. Parts are printable from CD
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Amazing Grace
After a brief introduction this French horn solo present the tune “as is” while the piano uses two-part imitation lines underneath. The piece progresses with the horn line modifying the tune rhythmically. After a modulation the piano presents the melody in an altered form while the solo has a gentle obligatto. The final section is more punctuated moving to a solemn section of repose.
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Be Thou My Vision (Opt. Duet)
This violin solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can be used a duet).
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Be Thou My Vision (Opt Duet)
This French horn solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can become a duet with the tenor sax or French horn sets).
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Be Thou My Vision (Opt. Duet)
This tenor sax solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can become a duet with the tenor sax or French horn sets).
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Be Thou My Vision (Opt. Duet)
This alto sax solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can become a duet with the flute, clarinet, alto sax sets).
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Be Thou My Vision (Opt. Duet)
This clarinet solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can become a duet with the flute, clarinet, alto sax sets).
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Be Thou My Vision (Opt duet)
This oboe solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can be used a duet).
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Be Thou My Vision (Opt duet)
This flute solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can become a duet with the flute, clarinet, alto sax sets).
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Holy, Holy, Holy
This sextet takes a different twist on what is typically a reverent piece and makes it majestic. From the traditional 4-4 meter it is presented in 6-8 giving it a lilt. The trumpets weave in and out with the melodic material while the other brass parts punctuate the lines. The second section is much in a fugal structure (in 4-4) and then gravitates back to 6-8 swapping the theme between the upper and lower parts. The contrapuntal activity increases as the tension mounts ending with a bold proclamation.
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Is Your All On The Altar?
A woodwind trio or quartet with piano accompaniment and optional guitar. Woodwind parts are for flute and clarinet with optional part oboe, clarinets and alto sax. After a brief introduction the flutes introduce the tune and then answered by the clarinet. The flute and clarinet answer back and forth until all parts move in block harmony with rhythmic alterations. After a modulation the ensemble continues in block harmonic movement until punctuated by the inner parts. While the color remains consistent to the end, the melody moves about amongst the parts until final resolution.