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Count Your Blessings
This unaccompanied flute quartet is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This bright arrangement of the hymn tune has proved to be very accessible and popular as a first quartet. There is a four page score and an individual part for each player. The arrangement is in a traditional ABA form with a bright A section contrasted by a lilting B section with almost a feel of one beat per measure. The arrangement returns to the
bright A section which builds to the climatic ending. -
Come Thou Almighty King
This unaccompanied flute trio is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation passing the melody between the flutes with contrasting harmonies after the offset entrances. There is a two page score and a part for each player.
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This Is My Father’s World
This flute solo with piano accompaniment is based on this classic hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. The simpler variations to the hymns tune make this usable by developing players.
this classic hymn tune. The arrangement is from the
teaching files of Monty Budahl and is useful for vesper,
offertory, and special. The simpler variations to the
hymns tune make this usable by developing players. -
Pass Me Not
This flute solo with piano accompaniment is based on a traditional gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation in playing styles for the intermediate player.
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Jesus Savior, Pilot Me
This flute solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
nautical themed gospel song. The arrangement is from
the teaching files of Monty Budahl and is useful for
vesper, offertory, and special. -
Jesus Is Coming Again
This flute solo with piano accompaniment is based on this Joyful hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. The variations to the hymn tune will provide an interesting challenge to the intermediate player.
this Joyful hymn tune. The arrangement is from the
teaching files of Monty Budahl and is useful for vesper,
offertory, and special. The variations to the hymn tune
will provide an interesting challenge to the intermediate
player. -
Harbored In Jesus
This flute solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This simple arrangement of the hymn tune will provide an interesting challenge for the developing player. The simpler variations with the longer length make this arrangement very useable as an offertory by a developing player.
nautical themed gospel song. The arrangement is from
the teaching files of Monty Budahl and is useful for
vesper, offertory, and special. This simple arrangement
of the hymn tune will provide an interesting challenge
for the developing player. The simpler variations with
the longer length make this arrangement very useable
as an offertory by a developing player. -
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The Steps Of A Good Man
This quintet (opt. Sextet) begins in a plaintive fashion with block harmonic structure in the upper voices. The lower voices respond in like fashion and then the two segments of the ensemble join forces to produce a lush ensemble. The next section is essentially like the earlier one.
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We’re Marching To Zion
A traditional woodwind quintet with opt. Alto sax and bass clarinet parts. The pieces is constantly effervescent with delightful embellishing devices. The ending section is slower and expressive exhibiting a sense of confidence.
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Battle Of Jericho, The
A traditional brass quintet instrumentation with optional sixth part baritone, this piece changes colors as the melody is passed between the various voices. The walls even fall down at the end.
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And Can It Be
This duet is scored for trumpet, trombone, and piano with optional horn and baritone parts. The melody is passed back and forth between the two duet lines and modulates between several keys, giving over to a stirring ending.
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Savior, Like A Shepherd Lead Us
Scored for trumpet, horn, trombone and piano with optional parts for trumpet and baritone the piece moves along in a rather unpretentious manner with thematic material passed around between the brass voices.The piece settles down in to a final rest.
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Shelter In The Time Of Storm, A
Scored for trumpet, trombone (opt. Horn and baritone) with piano the piece starts with a simple duet line where it departs to more imitative and contrapuntal lines only to end with the simple duet writing.
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I Sing The Mighty Power Of God
A brass duet for trumpet, trombone (opt. Horn) and piano which presents itself in a manner where both instrumentalist state the theme and have some contrapuntal dialog as well. It is an easier piece both has interest for the performer and listener.
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Springs Of Living Water
A unaccompanied flute quartet with optional fourth part clarinet. The introduction begins with a “bubbling” motive which leads into the tune stated in the lower voices with responses interspersed in the upper voices. After a short flourish the melodic material resurfaces like the beginning. A modulated interlude is tossed about leading into a another modulation with extraneous motives. And yet, another modulation where the melody is more staid until it leads into another modulation which acts as a coda concluding with a celebratory flourish.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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Faith Is The Victory
This mallet solo with piano accompaniment exudes joy from the very opening. It uses single note melodies it also requires some multiple mallet harmony work. The final section lets loose with a barrage of excitement making use of the entire keyboard.
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Guide Me O Great Jehovah
This brass solo with piano, this piece is written in march style displaying great resolve. The central sections present new thematic material followed by modified titled hymn materials giving a sense of unity to the piece. It ends with a solid flourish.
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Guide Me O Great Jehovah
This brass solo with piano, this piece is written in march style displaying great resolve. The central sections present new thematic material followed by modified titled hymn materials giving a sense of unity to the piece. It ends with a solid flourish.