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O God Our Help
A brass choir scored for 3 trumpets, 4 horns, 3 trombones and tuba. Beginning in a regal fashion, the opening statement of the theme is solemn, then punctuated with upper brass fanfare figures followed by contrapuntal interest and increased textures.
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When We All Get To Heaven
Scored for flute, clarinet (oboe), clarinet (alto sax) and piano this piece is a bundle of cheer. The melodic material is passed around between the voices and gains embellishment as it progresses. It ends with a burst of delight!
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Faith Is The Victory
A march styled piece for 2 trumpets and 2 trombones with optional horn and baritone parts. The melody is presented in several fashions giving it continual interest.
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Trust And Obey
A quartet for 2 trumpets and 2 trombones with opt. Horn and baritone which is rather straight forward with imitative figures between the parts. It can be an opportunity for some expressive playing.
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Deep River
The American spiritual has always offered the listener the sense of traveling through life as we experience all of the hardships, struggles, pains and difficulties that befall each of us during that journey. But spirituals also assure us of the grea
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Swing Low, Sweet Chariot
Beginning in unison and quickly expanding into rich sonorities and independent lines, “Swing Low, Sweet Chariot” is crafted within the overall A B A form. The first part is a slow, rich-sounding section, which, after a build up moves into a faster s
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Swing Low, Sweet Chariot
Beginning in unison and quickly expanding into rich sonorities and independent lines, “Swing Low, Sweet Chariot” is crafted within the overall A B A form. The first part is a slow, rich-sounding section, which, after a build up moves into a faster s
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Swing Low, Sweet Chariot
Beginning in unison and quickly expanding into rich sonorities and independent lines, “Swing Low, Sweet Chariot” is crafted within the overall A B A form. The first part is a slow, rich-sounding section, which, after a build up moves into a faster s
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.