An upper level violin solo with piano, the piece demands the use of many double stops with duet like sections and it is very rhapsodic in nature–and as one would expect, many bird-like devices.

An upper level violin solo with piano, the piece demands the use of the broad range of the instrument’s ability. It is very rhapsodic in nature while being expressive throughout- going from simplistic renditions to often embellished melodic alterations.

An upper level violin solo with piano, the piece is very rhapsodic in nature–it is expressive throughout while using a varying degree of melodic embellishment.

An upper level violin solo with piano that makes use of the full range of the instrument. It is very rhapsodic in nature and gives a rather child-like manner even though being technically challenging.

An upper level violin solo with piano, the piece is very rhapsodic in nature, but is expressive throughout. As a medley, it incorporates: “The Name Of Jesus,” The Beautiful Name,” and “Take The Name Of Jesus With You.”

An upper level violin solo with piano that makes use of the full range of the instrument. The piece is very rhapsodic in nature and is expressive throughout. The production is well edited with string instrument markings.

An upper level violin solo with piano, the piece demands the use of many melodic embellishments making it very rhapsodic in nature–it is rather millitant in its portrayal.

An upper level violin solo with piano, the piece demands the use of many double stops and makes use of the full range of the instrument. Though very rhapsodic in nature, it is expressive in nature.

Enthusiasm is the nature of this solo. It goes through many transformations of the melody but continually remains joyous. This piece would serve very well as special music in a service.

A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple transition in the piano. The second verse is much like the first, melodically only supported by changing moods in the piano. The third section melody is in the piano while the soloist presents a gently obbligato. The next transition is more active rhythmically and then concludes in a sense of determined solemnity.

This violin solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original tune. The middle section melody is in the piano with the soloist giving a lilting countermelody making for a pleasing interaction of the two parts. The third section reverts back to the structure of the opening concluding with richer harmonies and settling with a solid statement in the solo while support with a motivic statement in the piano.

A Violin solo stating the melody in a straight forward fashion with an accompaniment that is gentle and constantly moving. The second section presents the thematic material in the piano with a motivic overlay in the solo line. The final section is fashioned much like the first section The Coda is a gentle motif of the theme ending is a sweet repose.

This flute solo is motivically driven much in a Celtic style. Expressive throughout, the piece culminates in a quiet repose.

This violin solo is a solemn, expressive piece from beginning to end where the melody is in the solo line. In the middle section the piano presents the tune while the solo line uses the counterline that was used previously by the piano.