This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced. The arrangement is edited with bowing and fingering

This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails. The arrangement is edited with bowing and fingering marks.

This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning. The arrangement is edited with bowing and fingering

This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering

This viola solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original tune. The middle section melody is in the piano with the soloist giving a lilting countermelody making for a pleasing interaction of the two parts. The third section reverts back to the structure of the opening concluding with richer harmonies and settling with a solid statement in the solo while support with a motivic statement in the piano.

A Viola solo stating the melody in a straight forward fashion with an accompaniment that is gentle and constantly moving. The second section presents the thematic material in the piano with a motivic overlay in the solo line. The final section is fashioned much like the first section The Coda is a gentle motif of the theme ending is a sweet repose.

This viola solo is a solemn, expressive piece from beginning to end where the melody is in the solo line. In the middle section the piano presents the tune while the solo line uses the counterline that was used previously by the piano.

This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning. The arrangement is edited with bowing and fingering

This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest. The arrangement is edited with bowing and fingering marks.

This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda. The arrangement is edited with bowing and fingering