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Turn Your Eyes Upon Jesus
An accompanied flute solo begins with a soulful piano motive and then joined in with the flute in a simplistic thematic statement. The chorus is presented by the flute with a moving piano accompaniment ending in a solemn repose. The next section presents the theme in the piano with the flute overlaying it with a gentle obbligato. The piece ends in further solemnity.
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They’ll Know We Are Christians By Our Love
Back in the 1970’s this was the “most popular” Christian song with young people, as it expressed the true meaning of the Christian lifestyle. Written in a “rhapsodic” style with free treated variations, including 5/4 and 6/8 times, along with very unusual rhythmic counterpoint, this creative work will be a highlight with audiences and performers!
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Battle Victorious
Written in the traditional sonata form this tone poem depicts the spiritual battle of the Christian against the powers of evil. The first theme of Sound The Battle Cry serves as a call to arms. The second theme shows preparation by way of the cross with Lead Me To Calvary. Suddenly, the Development section thrusts the themes into battle using devices such as the fugue, stretti, imitation, inversion, and augmentation. As with the promised victory, the themes reappear together in a glorious Recapitulation. Eph. 6:11.
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Psalm 47
A fantasia depicting the joy and praise experienced in this scriptural text. It opens with a brass fanfare leading into a narrative and response (both spoken) followed by an ABA development into the main theme. Harmonically, open 4ths and 5ths exist while rhythms of three against two comprise the development section. There are metrical changes and some solo work. An original composition.
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The Love of God
A dramatic portrayal of God’s Love, there is a sense throughout of the “uplift” we can experience by the presence of that Divine Love in our lives, as depicted by the use of unusual harmonies and modulations. The effective use of chromaticism, throughout brings us to that realization, and perfectly matches the moods of the text, The Love Of God.
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Heavenly Love
Commissioned by the band students at Olivet Nazarene University for the retirement of their director, Dr. Harlow Hopkins, this arrangement includes his two favorite hymns: “In Heavenly Love Abiding,” and “It Is Well With My Soul.” Written in a choral-prelude style, this delightful arrangement features the woodwinds with a creative motif throughout. Various treatments of the hymns include a fugue, augmentation, stretti and imitative counterpoint, along with a dramatic and flowing treatment of the melody which reads in part, “When peace like a river attendeth my way.”
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Heavenly Visions
Based on Revelation 21:1-3 “And I saw a new heaven and a new earth…And I heard a great voice out of heaven saying…” This work is in a fast –slow- fast form and features the percussion section as well as several different wind instruments playing short solos. The composition begins with a fast, exciting fervor that gives way to a more melodic (then contrapuntal) middle section. After a slight pause the excitement begins again with a variation of the opening section which builds to a very climatic ending. An original work.
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Spirit of the Living God
Presented as a tone poem, the opening is in a reflective mood gaining strength until the full band presents the theme with sweeping counter-melodies. The middle section gains complexity through multiple stretto lines leading up to a feeling of strength and poignancy. The theme is once again presented in a sweeping style and concludes in a sense of calm.
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Built On A Rock
Built On A Rock provides opportunity for a variety of compositional treatments. The opening is presented as a three voice canon, followed by a pyramiding of the first measure. A slow section features three instruments in chaconne form. Throughout the work the underlying theme is embellished by woodwind runs and trumpet accenting devices. The piece concludes in brilliant fashion.