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Cross and Glory
fl 1,2, ob 1,2, bassn, cl 1,2, trp 1,2,3, hn 1,2, tromb 1,2, tuba, timp, perc=(bells,mar, SD, BD, cym), vln 1,2, vla, ce, str bass, synth string reduction. “Ain’a That Good News” & “Were You There?”: “Ain’a That Good News” & “Were You There?”
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Sacred Head
This staple hymn of the Chrsitian literature starts out with the woodwinds presenting the theme with subtle splashes of percussive small instruments. The piece explodes into a tutti statement only to fall back into a solemn style in the woodwinds, colored by mallet percussion obligato. After a brief interlude of imitation in the woodwinds the brass take over with an exchange of choral motives. The piece gains strength with a tutti climax and then continues with thematic repetition to further enhance the theme’s importance. The woodwind choir with percussion underpinning makes a solemn statement and then gently settles back to a sense of peace.
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I Know That My Redeemer Lives
solo with piano… majestic sounds contrasted with calming legato sections. Crafted with rich harmonies and has an assessable cadenza. Writen in a concerto style.
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Jesus Christ Is Risen Today
Trp, Asax, Trb,…a Easter fanfare based on rich harmonies and melodic beauty.
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There Is A Fountain
Scored for traditional brass quintet with opt. Baritone this arrangement uses many altered devices to hold interest and add variety to a piece that otherwise presents itself as pretty straight-forward.
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At The Cross
This is a cello solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a violasolo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a violin solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a mallet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a tuba solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a trombone solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a horn solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a trumpet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a tenor sax solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a alto sax solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a clarinet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a bassoon solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is an oboe solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a flute solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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Beneath The Cross Of Jesus
A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by solid chord movement in the accompaniment.
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Beneath The Cross Of Jesus
A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by solid chord movement in the accompaniment.
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Beneath The Cross Of Jesus
A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by solid chord movement in the accompaniment.
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Beneath The Cross Of Jesus
A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by solid chord movement in the accompaniment.
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Beneath The Cross Of Jesus
A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by solid chord movement in the accompaniment.
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Beneath The Cross Of Jesus
A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by solid chord movement in the accompaniment.