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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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Jesus Paid It All
A Rich Heffler Music arrangement. The introduction establishes a dirge-like atmosphere joined in by the solo line carrying on the mood. The second section puts the melody in the piano part while solo soars above with a flowing obbligato and then shifts to the melody and concludes with a brief cadenza. The piece concludes with a melodic fragment in the piano and a smooth overflowing obbligato in the solo line
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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Beautiful Savior
standard orchestral instrumentation unlike SA7004 where organ is a necessity)
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In The Garden
SMS: For string quartet and piano. The opening has the strings using a modified melody in a chordal structure. It continues in much the same light with the piano embellishing with lines of elegance. The second section features the melody in the left hand of the piano (doubled in the cello ) with chordal structure in the right, all the while the upper strings adding a shimmering effect with tremolos. Then the quartet continues with full ensemble sound giving way to an unaccompanied trio of the upper three parts. The piece continue on in much the same flavor as the beginning coming to a sweet conclusion.
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In The Garden
SMS: A violin trio and piano. The opening has the strings using a modified melody in a chordal structure. It continues in much the same light with the piano embellishing with lines of elegance. The second section features the melody in the left hand of the with chordal structure in the right, all the while the strings adding a shimmering effect with tremolos. Then the quartet continues with full ensemble sound giving way to an unaccompanied trio of the upper three parts. The piece continues on in much the same flavor as the beginning coming to a sweet conclusion.
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Jesus Paid It All
SMS: An accompanied violin solo After a brief introduction in a different meter than originally composed the solo begins with a modified melody support by a rich harmonic palette in the piano. The second section continues in much the same manner with a melody that’s almost emblematic of an obbligato but keeps in character of the original tune. The Codetta section sets a tone of sweetness.
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No Other Plea
SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC). This piece presents the tune in various harmonic ways- unison, duet line and full chord. It is straight forward in its presentation.
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Chorus Medley
SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC) and piano. The texture moves the thematic material between the upper and lower voices- generally in block harmony formats. This selection is a medley incorporating: “I Will Sing Of The Mercies,” “Hallelujah,” and “God Is So Good.” It concludes with a brief statement of “I Will Sing”.