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American Band Journal #51(Christmas Issue)
(#223-225) TC & BC parts; Gabriel’s Message (B. Bowen), Fantasy On French Carols (H. Burgmayer), What Child Is This- cornet solo (D. Court)
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American Band Journal #49(Christmas Issue)
(#215-218) TC & BC parts; In Heavenly Peace (T. Camsey), March From The Nutcracker (K. Wilkinson), Gesu Bambino (T. Mack), The Shepherd’s Sotry (M. Babb)
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American Band Journal #47(Christmas Issue)
(#208-211) TC & BC parts; Joy To The World (D. Ayma), Rise Up Shepherd (W. Himes), Sleep Little Jesu – horn solo (D. Gates), Greenwood Berries (B. Bowen)
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American Band Journal #45 (Christmas Issue)
(#201-203) TC & BC parts; Christmas Day (K. Norbury), Christmas Bells Are Ringing (S. Bulla), Good King Wenceslas (D. Court)
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Fantasia on “Rise Up Shepherd”
“Fantasia on ‘Rise up, Shepherd'” is a series of a free variations for orchestra based on the Christmas spiritual “Rise Up Shepherd,” and “Follow.” Set in 6/8 time throughout, it is mostly in C major and is not overly difficult, provided players can
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American Carol Fantasy
“American Carol Fantasy” is a one-movement character piece for orchestra written for the Christmas season. It is based on two Appalachian carols: “Mary Had a Baby” and “I Wonder as I Wander.” A slow introduction using the opening motive of “I Wonder;
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Angels We Have Heard On High
This unaccompanied clarinet quartet is based on a traditional Christmas carol. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation passing the melody between the flutes with contrasting harmonies after the offset entrances. There is a two page score and a part for each player.