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Hymnsembles- Vol II, Bk 5- Cornets/Horns
Vol II, Bk 5- Cornets/Horns Information on the “Hymnsemble” series.
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Hymnsembles- Vol II, Bk 4- Alto/Tenor/Bar. Saxs
Vol II, Bk 4- Alto/Tenor/Bar. Saxs Information on the “Hymnsemble” series.
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Hymnsembles- Vol II, Bk 3- Clarinets/Bass Clarinet
Vol II, Bk 3- Clarinets/Bass Clarinet Information on the “Hymnsemble” series.
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Hymnsembles- Vol II, Bk 2- Flute/Oboe/Bassoon
Vol II, Bk 2- Flute/Oboe/Bassoon Information on the “Hymnsemble” series.
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Hymnsembles- Vol II, Bk 1- Conductor/Keyboard
Vol II, Bk 1- Conductor/Keyboard Information on the “Hymnsemble” series.
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Hymnsembles- Vol II, Bk 0- Megascore (full score-)
Vol II, Bk 0- Megascore (full score-) Information on the “Hymnsemble” series.
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Silent Night
Traditionally scored with an opt. third violin part for viola. The piece presents itself with the melody in tact but with little thematic motifs passed are the various parts for interest. Gently presented and moderate in difficulty- very adaptable.
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The Birthday Of A King
For string quartet with optional third violin the piece opens with mutiple entrances and alternates between those devices with more solidly scored, traditional material. Simpe. Rich. Meaningful.
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It Came Upon A Midnight Clear
Score for two strings and piano this easier piece shows a delicate counterpoint between the instruments along with some sensitive motivic embellsihments.
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I Wonder As I Wander
This cello solo starts out with piano motive that will be used throughout the piece and is then joined with the solo using the last phrase of the song. The next section uses the tune pretty much in its original form with the piano adding various arpeggios and thematic motives. The piano then presents a flowing version of the song while the soloist adds a idiomatic obbligato… then the final section has the soloist presenting the melody while the piano punctuates an underlying accompaniment. The coda section is much like the introduction and the soloist gives one final thematic motive.
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Away In A Manger
This solo with piano begins with the portrayal of a pastoral setting. The arrangement incorporates both “Flow Gently Sweet Afton” and “Luther’s Hymn”.The arrangement is edited with bowing and fingering marks.
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I Wonder As I Wander
This viola solo starts out with piano motive that will be used throughout the piece and is then joined with the solo using the last phrase of the song. The next section uses the tune pretty much in its original form with the piano adding various arpeggios and thematic motives. The piano then presents a flowing version of the song while the soloist adds a idiomatic obbligato… then the final section has the soloist presenting the melody while the piano punctuates an underlying accompaniment. The coda section is much like the introduction and the soloist gives one final thematic motive.