A collection for flute and piano including arrangements on “Coventry Carol,” “Lo, How a Rose E’er Blooming,” and “It Came Upon a Midnight Clear.” These pieces are somewhat straight forward with a reasonable amount of embellishment to give excitement in the performance.

A collection for flute and piano including arrangements on “O Come, O Come Immanuel,” “Infant Holy, Infant Lowly,” and “Angels We Have Heard On High.” All three pieces are highly embellished with flourishes that add much excitement. The accomplished flutist will feel much satisfaction from playing these pieces as well as the listener in hearing them.

A flute solo that begins with “Flow Gently Sweet Afton” accapella in the lower range of the flute, and is then joined with the piano. It is repeated up the octave with a more involved accompaniment. It modulates and meanwhile shifts to the “Luther’s Hymn” where it remains in a rather simple fashion.