A collection for violin and piano including arrangements on “I Wonder As I Wander,” ” Away In A Manger,” and “What Child Is This.” These are sensitively arranged solos with enough embellishment to make them interesting- supported by moving accompaniment lines.

A collection for trombone and piano including arrangements on “Come, Thou Long Expected Jesus,” “Angels We Have Heard On High,” and, “What Child Is This?” These solos exploit the full range of the instrument while giving opportunity for expressiveness as well. A good collection for variety of arrangements.

A collection for French horn and piano including arrangements on “Away in a Manger,” “O Little Town of Bethlehem,” and “Angels We Have Heard On High.” These solos range in style from the richness of the horn tone to sheer exuberance that requires established technic.

A collection for French horn and piano including arrangements on “The Birthday of a King,” “O Come All Ye Faithful,” and “What Child Is This?” These solos range from sounds of bold proclamation to gentle serenity. A wide range of emotions for the performer and listener alike.

A collection for French horn and piano including arrangements on “O Come, O Come Immanuel,” “Infant Holy, Infant Lowly,” and “Once In Royal David’s City.” These solos take advantage of the broad sound of the horn as well as the explosiveness that the instrument is capable. They explore the wide range of emotions that makes for good instrumental arranging.

A collection for clarinet and piano including arrangements on “What Child Is This?” “O Little Town Of Bethlehem,” and “Angels We Have Heard On High.” These solos are filled with alterations on the melodic material add splashes of exuberance as well- a treasure-trove of holiday material.

A collection for clarinet and piano including arrangements on “O Holy Night,” “Away In A Manger,” and “Of The Father’s Love Begotten.” These solos are very expressive and in keeping with the nature of the original carols. The piano part adds a solid under-pining for flavor and movement.

This clarinet solo begins with a flowing piano part and then joined with the solo line in a gently embellished theme. The phrase structure is repeated and then goes into a more vigorous rendeition and embellished at an even greater way. After a brief cadenza it settles into a gentle repose.