This violin solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can be used a duet).

A Rich Heffler Music arrangement of a Hubert Parry song. The introduction is straight forward in the piano and shortly thereafter joined by the soloist. The theme is well decorated- yet in a sensitive manner. The middle section of the piece the roles are reversed with the piano carrying the tune and the solo line providing an uplifting obbligato incorporating much flourish. The piece continues in a similar ever increasing in dynamic and melodic power ending with a strong conclusion.

This solo with piano begins with a straight forward introduction in the piano and then sets a solemn mood for the soloist. First plaintive and then with more deviation of the tune. The second section of the piece is stronger and with an almost obbligato treatment of the tune increasing in activity until it concludes on a strong high point.

This sensitive solo arrangement rotates a haunting Sicliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and would serve well for any venue.

Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.

A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.