A Rich Heffler Music arrangement of a Hubert Parry song. The introduction is straight forward in the piano and shortly thereafter joined by the soloist. The theme is well decorated- yet in a sensitive manner. The middle section of the piece the roles are reversed with the piano carrying the tune and the solo line providing an uplifting obbligato incorporating much flourish. The piece continues in a similar ever increasing in dynamic and melodic power ending with a strong conclusion.

A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.

A Rich Heffler Music arrangement. This solo starts out with a great deal of flourish based on ” Come Ye Thankful People Come” and then settles down for a solemn rendition of “We Gather Together.” The first statement is straight forward and then responded by an altered theme which gives more sense of movement. The introduction of the piece is now restated with an embellished rendition of ” Come Ye Thankful People Come, where it builds up to a high, impactful ending.

Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.

A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.

A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.

Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.

Moving and affective this solo begins unaccompanied and then later joined by the piano in a Celtic style. A second statement of the tune is further embellished and gains more complexity as it progresses. After a brief modulation the solo line becomes more plaintive- even though still embellished. The Coda is based on a brief motif where it ritards into a gentle repose.Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.

This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.

A violin solo that presents itself with simplicity with melodic alterations that offers delight.There is a continual contrast between the solo and the accompaniment that adds flavor that will make even the younger player show a sense of advancement.

Although the melody is gently modified, this solo with piano displays both a sensitivity along with an elevated soaring quality expressing the need for divine interaction on the part of humanity.

A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by solid chord movement in the accompaniment.

A Rich Heffler Music arrangement. This piece begins in a plaintive manner and in turn is joined by the soloist in an extraneous Celtic-like statement. The piece continues in a somewhat straight forward manner of the tune, again in a Celtic-like style. The rest of the piece continues constantly weaving in and out and around the embellished melody until it concludes with one final statement coming to rest.