An accompanied trumpet solo based on hymns of faith including: “I Know Whom I Have Believed,” in variation “My Faith Has Found A Resting Place,” and “Faith Is The Victory.” A technical piece where triple tonguing is required and gives opportunity for virtuosic playing. The re are various sections which also give rise for expressive playing as well. A delightful piece that is certain to capture the listener’s ear.

Taken from the “Messiah”, this trumpet solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..

A trumpet solo which begins with a sense of agony in the piano using the tune of “Beneath The Cross Of Jesus.” The solo then makes a declamatory statement and then becomes very expressive in a recitative-like section. This section is expressive and then becoming more vigorous using thematic material from “At The Cross.” After another transition the piece become vibrant using the theme of “The Cross Is Not Greater than His Grace.” A swift modulation and a faster tempo the piece ramps up a vigorous flair where it elevates to a strong crescendo including some triple tongue motives.

An accompanied trumpet solo based on hymns of praise including: “To God Be The Glory,” “Our Great Savior,” “Since I Have Been Redeemed” in variation. A technical piece where double tonguing is required and gives opportunity for virtuosic playing. The re are various sections which also give rise for expressive playing as well. A delightful piece that is certain to capture the listener’s ear.

A trumpet solo with a variety of styles including the hymns: “What A Wonderful Saviour,” “Christ Arose,” ” Wonderful Words Of Life” (in two variations), concluding with “Christ The Lord Is Risen Today.” A vibrant solo from beginning to end!

For trumpet and piano, the melodic material is constantly being embellished from florid to impetuous – ever changing in a rhapsodic form.

This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while the third section is more expressive. The final section is more boisterous ending on a solid footing.

This trumpet solo begins with a brief motif in the piano and then begins a series of variations and the soloist presents the theme. The variations are sometimes florid, other times plaintive, some times imitative and finally bold.