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Majestic Trombone Solos for Christmas, Vol. 3
A collection for trombone and piano including arrangements on “Come, Thou Long Expected Jesus,” “Angels We Have Heard On High,” and, “What Child Is This?” These solos exploit the full range of the instrument while giving opportunity for expressiveness as well. A good collection for variety of arrangements.
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Majestic Trombone Solos for Christmas, Vol. 2
A collection for trombone and piano including arrangements on “Hark! The Herald Angels Sing,” “Go, Tell It On The Mountain,” and “How Great Our Joy.” These solos make good use of embellishment to enrich the original tunes. They also offer a variety of styles and difficulty making a safe opportunity for performance during the Christmas season.
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Majestic Trombone Solos for Christmas, Vol. 1
A collection for trombone and piano including arrangements on “O Come, All Ye Faithful,” ” O Come, O Come, Immanuel,” and “It Came Upon The Midnight Clear.” These solos exploit the full range of the instrument while giving opportunity for expressiveness as well. A good collection for variety of arrangements.
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Wonderful Words Of Life
An unaccompanied trombone quartet which begins which all four parts working together leading up to the first statement of the tune presented as a duet following by all four parts harmonizing together. The parts present themselves in a playful exchange of entrances. A breakup strain uses thematic motifs leading up to a modulation A new verse tosses the tune around amongst the parts, followed by the tune stated in four-part harmonies leading up to a final tag!
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O Sacred Head
This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.
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The Bible Stands
An unaccompanied trombone (opt BHTC) trio begins from the “git-go” with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads into the next section after another modulation with the parts interplaying amongst themselves. Yet, another modulation with block harmonies giving over to yet another modulation and a final ending!
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Leaning On The Everlasting Arms
This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.