-
TOP-O Mighty God
This tenor saxophone solo with piano accompaniment is based on a classic hymn tune. The simple variations with add interest for the younger saxophone player. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
-
Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
-
O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
-
Young Tenor Sax Soloist
A solo collection with piano including: “Praise Him All Ye Little Children,” “Abide With Me,” “Dare To Be A Daniel,” “My Jesus I Love Thee,” “Away In A Manger,” “We Gather Together,” ” “Hallelujah! What A Saviour,” and “‘Tis So Sweet To Trust In Jesus.”
-
Tis So Sweet To Trust In Jesus
This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced.
-
Hallelujah! What A Saviour!
This solo with piano follows a simple theme and variation form. It gives the young soloist the opportunity to play many styles in a short framework.
-
Away In A Manger
This solo with piano begins with the portrayal of a pastoral setting. The arrangement incorporates both “Flow Gently Sweet Afton” and “Luther’s Hymn”.
-
My Jesus I Love Thee
This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
-
Abide With Me
This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest.
-
Dare To Be A Daniel
This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails.
-
Praise Him All Ye Little Children
This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.
-
My Faith Looks Up To Thee
solo with piano. This classic hymn is arranged at the intermediate performer’s level yet is crafted with expressivity and symmetry. Both the soloist and piano accompanist are featured.
-
-
In The Garden
A Rich Heffler Music arrangement. This solo is presented in a pastoral setting being very reflective. Melodic material is not modified to a larger degree allowing for a solemn setting
-
-
-
-
-
-
-
Open My Eyes
Combined with music from Brahms Second Symphony in the opening. The second section is more straight-forward of the tune itself where it moves to the thematic material of Brahms once again. The coda section is tranquil where it comes to a final rest.
-
Were You There
A Rich Heffler Music arrangement. This solo is presented in a reverent setting in a minor key. The middle section shifts momentarily to a major mode and then quickly back to a minor mode. The soloist is provided the opportunity to express with a fluid cadenza which gives way to a final statement of harmonic shifts coming to a solemn close.
-
-
O God, Our Help….Passacaglia /Fugue
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.