This saxophone trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.

A saxophone trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.

“Count Your Blessings” is a hymn of not only thanksgiving but continual expression throughout the year. This trio is essentially triadic in the opening section and then moves with more embellishment and excitement.

This saxophone arrangement of As The Deer is a gentle interplay of parts and gives the sensation of a constant flowing steam of water that offers a background for quiet reflection. Tenor sax opt for Alto 3.

An accompanied saxophone (A-A-A/T) trio beginning with a piano introduction. The first section is a blocked harmony in the saxes with the first carrying the melody. The second section uses the same underlying rhythmic patterns but now the structure is in a different meter (quadruple vs the previous triple) which gives an extended feeling. A couple modulations take place and the style becomes smooth and expressive. This all leads towards the Coda where the whole premise shifts the moods of the beginning where it increases in tension and ends with solid impact.

“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.

A saxophone trio with piano accompaniment that is gentle smoothly moving that carries a lyrical flavor throughout. On occasion there are brief alterations of the melody to add variety and movement. A good piece for tender moments.

This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.

For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime. (Sub Tenor sax for 3rd Alto)

This saxophone trio begins with a delightful moving motive in the piano to be joined with the first part, then a duet with part two and then a trio with all three parts. The next section is solemn as the piano drops out and then all join in for an active presentation. The last section begins the theme in the third part with some imitation from part two until the first part takes over the theme and continues in this manner. The coda is simple giving a sense of peace.