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He Is Born, The Divine Christ Child
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The piece gins in a spritely duet in the upper voices and reverses roles with the lower voices carrying the melody and duet lines. All four voices now join in a smooth, serene fashion until it gains dynamic and harmonic strength. A modulation upward with the tune in voice two, and an obbligato-like movement in part one, while the lower parts underpin with a simplistic, though active line. In the last section the parts become more active and excitement abounds until a final flourish establishes the end.
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I Want Jesus To Walk With Me
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. A beginning that is yearning in emotion and subtle shifts in harmonic and linear lines. A modulation to a higher tessitura in strong block chords gives a feeling of strength. The piece then settles back into the original key with a series of imitation of the various parts. The piece becomes more solemn as the pitch levels drop until settling into a final cadence.
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The Master Hath Come
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. An introduction using unrelated material leads the tune presented in voice two, supported by harmonies in the lower voices, then an obbligato-like motion added by the upper voice. A modulation upward makes room for a duet in the upper lines, later joined by the lower voices in a contrapuntal fashion. The final section becomes more vigorous and imitative until a solid, declamatory ending.
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Jesus’ Hands Were Kind Hands
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The first phrase is stated in the top voice, then adding the second voice, further adding the third voice until all voices are in agreement. The next section moves in a rather jaunty motion going through various meter changes. The middle section is stated with the tune in the top voice with accompaniment figures presented in a syncopated manner. All this happening in a modulated key. Further modulation takes place with a motive stated in the second voice, followed the third, then first until it settles into a final statement of kindness.
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Jesus, Lover Of My Soul
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. An opening with an active top voice giving over to the lower voices doing the same. Then in block harmonic movement the pieces moves along with subtle harmonic shifts. The middle section continues in much the same fashion with dynamic shifts. The next area is the same fashion only this time with the lower voices carrying the activity and the upper voice in more solemn movement. The final section is more active with the top voice using material from the introduction and slows to repose.
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Through The Love Of Christ, Our Saviour
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. Opening with the upper two parts and then adding the lower voices gravitating to a block harmonic structure. The middle section starts with lower voices using a extraneous motif and stacked with upper voices doing the same in imitation. Then with more vigor all voices join in block harmonies until the final section where again imitation takes place until the final block harmonies take place.
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Come, Thou Long-Expected Jesus
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. The begins with the tune in the upper line and then shifted to activity in the inner lines. And then back to the voicing of the beginning, coming to a solid conclusion.
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Lily of The Valley
$9.00A flute quartet that is joyous and exhuberant expressing the finding of the Savior, from beginning to end. It doesn’t let up with its joyous with a flurry of rapture ending on a high note of praise.
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What Child Is This (unacc)
$8.00Score for four flutes the piece openings with a quasi round device and then establishes a more straight forward rendition of the tune. The final section becomes quite florid with intricately woven countrapuntal voicing.
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God So Loved The World (unacc)
$8.00A unaccompanied flute quartet that begins with an extensive introduction with moving lines in all four parts. The next section is carried in the fourth part with counter lines in the upper parts. The interest then shifts to the upper parts with counterlines in the lower voices. The last section is carried by the upper line but is shifted around the various voices giving much interest to the piece and a sense of constant movement
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There’s A New Song In My Heart (unacc)
$7.50An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
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Holy, Holy, Holy (unacc)
$7.00A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses a Q/A design- keeping the piece on the move. This flowing movement continues until it modulates into a section that is grand and declamatory. After some unctuated accompaniment the piece makes a final declamation then lies into repose.
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O Sacred Head (unacc)
$5.00This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.
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Holy, Holy, Holy (unacc)
$7.00Written for Flute quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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In The Garden
$7.00This trio for Easter renders a simple and gentle movement that is continually flowing with contrapuntal lines that exudes wonderment- truly a piece that causes reflection. There is activity in each of the parts and the melodic material is passed around for interest. If you want a piece for reflection this might well be the piece for you.
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Power in the Blood (acc)
$8.00This flute trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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Redeemed (unacc)
$7.00A flute trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.
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Praise Him, Praise Him (unacc)
$7.00A woodwind trio for flute; unaccompanied. Like a stately march the introduction uses a motif gravitating through several harmonic changes giving way to a modified thematic presentation with all three parts being in active counterpoint,and the tune passed about all the parts. The tune then moves about in a hocket fashion keeping all parts busy. The final section is somewhat in keeping with the first section coming to a solid “Praise Him” conclusion.
