This solo begins with a elegant little motif in the upper register of the piano and then moves downward to a simple accompanying figure. The solo enters in a gentle manner with minor modifications- very much in a restful manner. With an abrupt modulation the tune is modified once more in a different way. After two more modulations in the piano the soloist presents the tune with a more “arpeggiated” way and then settles into a final long note- as if “everything’s okay!”

This solo begins with a polite introduction and then is joined with the soloist in a gentle alteration of the tune in its entirety. A second verse is modulated upward with the tune with even more variation. After more modulations there is a brief cadenza and then a coda section based on the opening motif of the tune.

This solo is presented in a lush, relaxed format which incorporates the carols “Silent Night”, “Away In A Manger”, “It Came Upon A Midnight Clear”. The solo line is altered rhythmically to give a sense of child-like gentleness while the accompaniment gives a restful underpinning of lush harmonies.

This bubbly rendition of “Come Thou Fount” is effervescent from beginning to end. It is filled with movement and excitement expressing intense joy throughout.

This solo is technically demanding while depicting the content of its title. While it is a provocative title with soul-searching implications, the results of its message produces a great deal of joy- salvation! The themes and embellishments presented here certainly enhances the joyous conclusion of such a concept and then moves to a rather solemn reflection of the wonder of it all.

This solo opens with a gentle, Celtic fashion in a duple meter. It progresses through a series expressive obbligati giving a sense of elevation. As it nears the end it modulates metrically and harmonically to a triple meter, and then final repose.

This clarinet solo is highly reflective in nature and incorparates the titles of :At The Cross”; “There’s Room At The Cross For Me”; “Beneath The Cross Of Jesus”. The piece is gentle and offers the opportunity far a great deal of expression. While there is embellishment of the lines they are done with taste.

An accompanied clarinet solo that includes the hymns, “Jesus Led Me All The Way,” and “All the Way My Savior Leads Me.” After a brief intro of “All The Way…” the soloist enters with “Jesus Led…” in a straight forward manner. Then a brief interlude the solo ist then presents “All The Way…” in a new key- much the same manner as the first tune. The Coda section is based on “Jesus Led…” in a more altered and varied manner and then comes to a sweet ending.

This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.

Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..

A solo collection with piano including: “Praise Him All Ye Little Children,” “Abide With Me,” “Dare To Be A Daniel,” “My Jesus I Love Thee,” “Away In A Manger,” “We Gather Together,” ” “Hallelujah! What A Saviour,” and “‘Tis So Sweet To Trust In Jesus.”

This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced.

This solo with piano follows a simple theme and variation form. It gives the young soloist the opportunity to play many styles in a short framework.