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Open My Eyes
Combined with music from Brahms Second Symphony in the opening. The second section is more straight-forward of the tune itself where it moves to the thematic material of Brahms once again. The coda section is tranquil where it comes to a final rest.
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There Is A Fountain
A Rich Heffler Music arrangement. The solo begins in a plaintive manner with light embellishment modulating upward in key to a more florid rendition of the melody. The final section goes back to the original key and continues onward in a florid manner.
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Were You There
A Rich Heffler Music arrangement. This solo is presented in a reverent setting in a minor key. The middle section shifts momentarily to a major mode and then quickly back to a minor mode. The soloist is provided the opportunity to express with a fluid cadenza which gives way to a final statement of harmonic shifts coming to a solemn close.
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Leaning On The Everlasting Arms
This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats back to the first section and proceeds to a Coda section- again, in a triplet format.
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It Is Well With My Soul
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A transition becomes freer in rhythm and harmony. It then repeats back to the opening sections and then moves to the coda where the piece ends in a solemn fashion.
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O God, Our Help….Passacaglia /Fugue
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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Jesus Paid It All
A Rich Heffler Music arrangement. The introduction establishes a dirge-like atmosphere joined in by the solo line carrying on the mood. The second section puts the melody in the piano part while solo soars above with a flowing obbligato and then shifts to the melody and concludes with a brief cadenza. The piece concludes with a melodic fragment in the piano and a smooth overflowing obbligato in the solo line
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At The Cross
A Rich Heffler Music arrangement. This solo begins with a calm, reverent setting and is expressive throughout. The middle section is somewhat freer in melodic presentation with the solo more as an obbligato. The ending settles into a quiet, assuring repose.
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To God Be The Glory
This saxophone duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!
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Like A River Glorious
This saxophone duet would be useful as a special presentation in a service. The nature of the work portrays great joy, variety, and dimension. The conclusive sections are deliberate and strong.
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Power in the Blood
This saxophone duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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No Not One
This saxophone duet is presented in a rather simple two part fashion. Subsequent verses engage contrapuntal diversity of the melody line versus the harmony. A stirring rendition for any venue.
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Our Great Saviour
This duet is unaccompanied and includes both simple duet movement as well as contrasting contrapuntal activity between the parts. As the piece progresses more activity and joy is expressed and ends on a high note giving way to the essence of the title.
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Three German Carols
A duet for alto saxes and piano and is presented as a suite. Titles include “God Is Love- Gott Ist Die Liebe,” “With the Shepherd Will I Go- Mit Den Hirten Will Ich Gehen'” “Come Hither Little Children- Ihl Kinderlein Komet.” Can be performed as a solo.