-
Look, Ye Saints! The Sight Is Glorious
This alto saxophone piece is sheer delight from beginning to finish. It takes the basic hymn and embellishes the tune in such a way that gives it a whole new flavor. It incorporates scale and arpeggiate movements along with some trills to enhance the exciement. Look! Listen! Play! It is a glorious piece!
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
-
O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
-
A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
-
He Leadeth Me
This is a level three solo with piano accompaniment that exudes majesty, tenderness and elegance all at the same time. While it abounds with melodic embellishment the song itself is never lost in the mix. It is simply delightful from beginning to end. It will make a service, concert or contest enhanced because of its presentation.
-
Amazing Grace
Moving and affective this solo begins unaccompanied and then later joined by the piano in a Celtic style. A second statement of the tune is further embellished and gains more complexity as it progresses. After a brief modulation the solo line becomes more plaintive- even though still embellished. The Coda is based on a brief motif where it ritards into a gentle repose.
-
More Favorite Songs of Praise- alto sax
10 solos that can be done as solos, duets or trios with or without piano accompaniment.
-
-
Creative Carols For Alto Sax- Book/CD
10 Carols- All of these pieces can be accompanied by piano, rhythm section, or recorded rhythm tracks.