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Jesus Is All The World To Me
A violin solo with piano accompaniment begins with a reflective motif. The violin makes an initial statement of the theme incorporating many double stops for harmonic and colorful shadings, all the while the accompaniment supporting with almost harp-like motions. The chorus section drops to a lower range of the instrument while the piano makes florid movements above… A dramatic modulation takes place where the them has simple melodic alterations which later displays the theme in double stop octaves. This continues until the piece becomes dramatic and bold until it comes to an abrupt stop and settles into a state of serenity.
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Softly And Tenderly
For string quartet with optional third violin the piece opens with a sublime feeling only to be agitated by more vigorous devices.It modulates through various keys and as one would expect it ends softly and gently.
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Softly And Tenderly
A gentle introduction by the piano and then the solo trombone presents the theme with subtle rhythmic deviation. The chorus continues in the same fashion. A quick modulation and the theme continues in a modified fashion with even more scale wise embellishment. The piano then takes over with the tune and with another modulation the solo enters with more harmonic deviation. The Coda section moves with subtle motivic deviation and comes to a solemn rest.
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Softly And Tenderly
A gentle introduction by the piano and then the solo horn presents the theme with subtle rhythmic deviation. The chorus continues in the same fashion. A quick modulation and the theme continues in a modified fashion with even more scale wise embellishment. The piano then takes over with the tune and with another modulation the solo enters with more harmonic deviation. The Coda section moves with subtle motivic deviation and comes to a solemn rest.
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Softly And Tenderly
A gentle introduction by the piano and then the solo trumpet presents the theme with subtle rhythmic deviation. The chorus continues in the same fashion. A quick modulation and the theme continues in a modified fashion with even more scale wise embellishment. The piano then takes over with the tune and with another modulation the solo enters with more harmonic deviation. The Coda section moves with subtle motivic deviation and comes to a solemn rest.