A collection for viola and piano including arrangements on “Once In Royal David’s City,” “Of The Father’s Love Begotten,” and “Away In A Manger.” These solos offer the player a chance for some real expressive playing as well as so flair as well.. A good balance of arrangements.

A collection for violin and piano including arrangements on “I Heard The Bells On Christmas Day,” O Come, O Come Immanuel,” and “Infant Holy, Infant Lowly.” These solos offer a good deal of flair for the more accomplished performer and offer a delightful experience for the listener as well.

A collection for violin and piano including arrangements on “Angels We Have Heard On High,” ” O Little Town Of Bethlehem,” and “Once in Royal David’s City.” These are vigorous solos using various string technics giving rise to exciting performance. These are also complimented by sensitive material as well.

A collection for trombone and piano including arrangements on “Come, Thou Long Expected Jesus,” “Angels We Have Heard On High,” and, “What Child Is This?” These solos exploit the full range of the instrument while giving opportunity for expressiveness as well. A good collection for variety of arrangements.

A collection for trombone and piano including arrangements on “Hark! The Herald Angels Sing,” “Go, Tell It On The Mountain,” and “How Great Our Joy.” These solos make good use of embellishment to enrich the original tunes. They also offer a variety of styles and difficulty making a safe opportunity for performance during the Christmas season.

A collection for French horn and piano including arrangements on “The Birthday of a King,” “O Come All Ye Faithful,” and “What Child Is This?” These solos range from sounds of bold proclamation to gentle serenity. A wide range of emotions for the performer and listener alike.

A collection for French horn and piano including arrangements on “O Come, O Come Immanuel,” “Infant Holy, Infant Lowly,” and “Once In Royal David’s City.” These solos take advantage of the broad sound of the horn as well as the explosiveness that the instrument is capable. They explore the wide range of emotions that makes for good instrumental arranging.

A collection for clarinet and piano including arrangements on “O Holy Night,” “Away In A Manger,” and “Of The Father’s Love Begotten.” These solos are very expressive and in keeping with the nature of the original carols. The piano part adds a solid under-pining for flavor and movement.

A collection for oboe and piano including arrangements on “Thou Didst Leave Thy Throne,” “O Sing A Song of Bethlehem,” and, “I Heard The Bells on Christmas Day. These solos make use of the full range of the oboe and stylistically making use of somber to exhilarating expressions.

A collection for oboe and piano including arrangements on “O Holy Night,” “O Come, O Come Emanuel,” “Lo! How a Rose E’er Blooming.” These arrangements have solo lines that capture the natural beauty of the carols with elegant piano accompaniment underpining the tunes.

A collection for flute and piano including arrangements on “Away In A Manger,” “O Holy Night,” and What Child Is This?” All three arrangements are somewhat solemn in nature with melodic enhancements to add interest. “What Child Is This?” is the more active piece of the three…

A suite of three accompanied flutes including: “Immortal, Invisible” a flourish of joy and action ending with a sense of serenity; “Showers Of Blessing” a technical workout of exuberance; “Come Thou Fount” an ornamented rendition of the tune with a middle section or greater simlicity and then a return to the action of the beginning.

A suite of three accompanied flutes including: “My Faith Has Found a Resting Place” in a vigorous and bouyant manner; “Brethren, We Have Met To Worship,” in a somber and plaintive fashion: and’ “All For Jesus, All For Jesus” in a thoughtful, then joyous presentation of exuberance!