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Faith Is The Victory
A march styled piece for 2 trumpets and 2 trombones with optional horn and baritone parts. The melody is presented in several fashions giving it continual interest.
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Faith Is The Victory
This unaccompanied saxophone quartet, AATB, is based on a traditional gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This lively arrangement of the hymn tune has proved to be very popular. There is a four page score and an individual part for each player.
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Faith Is The Victory
This mallet solo with piano accompaniment exudes joy from the very opening. It uses single note melodies it also requires some multiple mallet harmony work. The final section lets loose with a barrage of excitement making use of the entire keyboard.
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Faith Is The Victory
A Brass choir written for four trumpets, (Opt Horn), two trombones, baritone and tuba. A solid introduction with motives passed around the various parts. The chorus is now given with the theme in the upper lines. Then echoed back in the lowest voice. A brief meter shift and then the harmonized theme gives a sense of security. Then another meter shift with line that acts as a Q&A in a smooth and expressive manner. Now the piece, through a DS gravitates back until it reaches a CODA and ends on a high note- in block structure.
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Faith Is The Victory
This solo with piano starts out in a march triumphal style with a short introduction. The first section is stated in a rather familiar rendition of the melody in variated rhythmic devices. The middle section is a complete change of pace being slower and expressive. With a tempo increase the pieces orients itself back to the first style and tempo. The Coda starts at low ebb and and melodically grows until it ends on a high note- then a solid final figure.
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Faith Is The Victory
This solo with piano starts out in a march triumphal style with a short introduction. The first section is stated in a rather familiar rendition of the melody in varied rhythmic devices. The middle section is a complete change of pace being slower and expressive. With a tempo increase the pieces orients itself back to the first style and tempo. The Coda starts at low ebb and melodically grows until it ends on a high note- then a solid final figure.
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Faith Is The Victory
This solo with piano starts out in a march triumphal style with a short introduction. The first section is stated in a rather familiar rendition of the melody in varied rhythmic devices. The middle section is a complete change of pace being slower and expressive. With a tempo increase the pieces orients itself back to the first style and tempo. The Coda starts at low ebb and melodically grows until it ends on a high note- then a solid final figure.