-
When I Can Read My Title Clear
This horn solo begins with a fanfare styled motive of the theme and then calms down to a florid presentation of the tune with a sweeping counterline in the piano. The second section is an imitative interplay between the parts moving into an extended presentation of the melody. The final section is a rather pompous march based on the tune and then moves to a more lyrical movement- much the beginning.
-
Come Ye That Love the Lord
A brass quartet for two trumpets and two trombones with opt. parts for Fr. Horn and Baritone TC. The pieces begins with canonic entrances and then increases in activity. The first thematic statement is stately in a block harmonic structure. The parts then state the tune with others in an ornamental addition. A modulation takes place and the first tombone/horn states the theme while the others portray soft bell-tone like accompniment. A spirited entrance from low voices to higher in a fugal format coming to a final, majestic Coda marking a strong ending.