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At The Cross
SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC) and piano. The piece is straight forward with much of the interest in the thematic material alternating between the upper and ,lower instruments. The middle section is in unison, then breaking into a chordal structure. The ending section is spritely, concluding on a solid footing.
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I Sing The Mighty Power
Beginning with a single violin, the piece gains momentum by adding the other parts until it breaks into a style of delight. It then becomes smoother and more thoughtful. Next is a cello solo answered by the other parts in a variety of punctuations. The ensemble becomes more solidly scored followed by a lighter texture and erupts into a joyful ending.
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Joy To The World
Ww Quintet: Fl, Ob, Cl, Hn/Asax, Bssn. A Spirited piece, full of excitement which starts that way and grows throughout the entire composition.
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At The Cross
This is a cello solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a violasolo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a violin solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a mallet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a tuba solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a trombone solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a horn solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a trumpet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a tenor sax solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a alto sax solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a clarinet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a bassoon solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is an oboe solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a flute solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
A Rich Heffler Music arrangement. This solo begins with a calm, reverent setting and is expressive throughout. The middle section is somewhat freer in melodic presentation with the solo more as an obbligato. The ending settles into a quiet, assuring repose.
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At The Cross
A Rich Heffler Music arrangement. This solo begins with a calm, reverent setting and is expressive throughout. The middle section is somewhat freer in melodic presentation with the solo more as an obbligato. The ending settles into a quiet, assuring repose.
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O God Our Help
A brass choir scored for 3 trumpets, 4 horns, 3 trombones and tuba. Beginning in a regal fashion, the opening statement of the theme is solemn, then punctuated with upper brass fanfare figures followed by contrapuntal interest and increased textures.
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Early Patriots Medley, The
A march styled piece for 2 trumpets and 2 trombones with optional horn and baritone parts. The piece is a medley on “When I Can Read My Title Clear, My Country Tis Of Thee, and The Morning Trumpet”- simple, straight forward and charming!
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I Sing The Mighty Power Of God
A brass duet for trumpet, trombone (opt. Horn) and piano which presents itself in a manner where both instrumentalist state the theme and have some contrapuntal dialog as well. It is an easier piece both has interest for the performer and listener.