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It Is Glory Just To Walk With Him
This trumpet solo with piano accompaniment is based on a classic hymn tune. The simple variations with add interest for the younger horn player. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
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Wonderful Grace Of Jesus
A brass quintet (optional sextet- BHBC) with opt. parts for flugelhorn and BHTC. The piece begins in a cheerful fashion with interplay between the upper parts and lower parts and then settles in with the middle parts carrying the melody followed with the melody fragmented amongst all the parts. A transition ensues leading up to a modulation where the lower voices carry the melody and the upper lines answer with fanfares. Another modulation occurs where the lower voices once again carry the tune. Once again, the melody is fragmented into passed around motives until it reaches a conclusion of stacked entrances.
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The Bible Stands
An unaccompanied trombone (opt BHTC) trio begins from the “git-go” with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads into the next section after another modulation with the parts interplaying amongst themselves. Yet, another modulation with block harmonies giving over to yet another modulation and a final ending!
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The Bible Stands
An unaccompanied trumpet trio begins from the “git-go” with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads into the next section after another modulation with the parts interplaying amongst themselves. Yet, another modulation with block harmonies giving over to yet another modulation and a final ending!
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The Bible Stands
An unaccompanied saxophone trio (A-A-A/T) begins from the “git-go” with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads into the next section after another modulation with the parts interplaying amongst themselves. Yet, another modulation with block harmonies giving over to yet another modulation and a final ending!