SKU: | PD1016 |
---|---|
Category: | Duets |
Christmas Medley
$7.00
Arranged for two pianos
Related products
-
Silent Night
Scored for two woodwind instruments with piano, the piece begins with a solo line and then adds the duet line. The ending section does much the same only with more rhythmic enhancement. An easy piece but gives opportunity for much expression.
-
Silent Night (acc)
Scored for two woodwind instruments with piano, the piece begins with a solo line and then adds the duet line. The ending section does much the same only with more rhythmic enhancement. An easy piece but gives opportunity for much expression.
-
Three German Carols #2
A duet for alto saxes and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.
-
Three German Carols #2
A duet for clarinets and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.
-
Power in the Blood (acc)
This flute duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
Like A River Glorious (acc)
This flute duet would be useful as a special presentation in a service. The nature of the work portrays great joy, variety, and dimension. The conclusive sections are deliberate and strong.
-
Silent Night
Scored for two woodwind instruments with piano, the piece begins with a solo line and then adds the duet line. The ending section does much the same only with more rhythmic enhancement. An easy piece but gives opportunity for much expression.
-
In The Sweet By and By
An accompanied saxophone duet (2-Altos with opt. Tenor) duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.