SKU: | STQ006 |
---|---|
Category: | Quartets |
This Is My Father’s World
$9.75
optional third violin for viola
Related products
-
Holy, Holy, Holy
Written for flute, oboe, clarinet or saxophone this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
-
And Can It Be
Scored for full saxophone quartet, this piece immediately marches off with the dignity that this grand old hymn portrays. The theme is passed around amongst the various parts to add player satisfaction and joy to the listener. (S/A-A-T-B)
-
Holy, Holy, Holy (unacc)
A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses a Q/A design- keeping the piece on the move. This flowing movement continues until it modulates into a section that is grand and declamatory. After some unctuated accompaniment the piece makes a final declamation then lies into repose.
-
-
Be Thou My Vision
A woodwind quartett scored for flutes, clarinets, and other woodwind instruments, this piece presents itself in a gentle, thought provoking manner. The middle section is faster, giving a heightened sense of thought worthiness.
-
Lily of The Valley
A flute quartet that is joyous and exhuberant expressing the finding of the Savior, from beginning to end. It doesn’t let up with its joyous with a flurry of rapture ending on a high note of praise.
-
Holy, Holy, Holy
Written for Saxophone quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
-
God So Loved The World (unacc)
A unaccompanied flute quartet that begins with an extensive introduction with moving lines in all four parts. The next section is carried in the fourth part with counter lines in the upper parts. The interest then shifts to the upper parts with counterlines in the lower voices. The last section is carried by the upper line but is shifted around the various voices giving much interest to the piece and a sense of constant movement