My Jesus, I Love Thee

The introduction of this brass sextet (3 Trp., 3 Trom.) begins with strong choral movement and then settles into repose. The first presentation of the tune is in the trombones with a subtle counterline in the trumpets which then opens up to a stronger movement with the melody in the trumpet. The tune then reverts back to the trombones and then transitions to a move active support pattern in the trombones with a solo in the second trumpet. The final section gives way to a powerful presentation of the tune and immediately settles into a sensitive climate, much like the beginning. After a DC the piece ends with the strong motifs of the introduction giving a sense of finality. (Opt Horn for 1st Trom.)

A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “We’ve A Story To Tell To The Nations.” After a modulation the piece continues with “I Love To Tell The Story” with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “Send The Light” in a march style giving purpose. Another modulation leading into “Since I Have Been Redeemed” in the upper parts, only to be followed with the theme in the lower voices. Then after a sequence of cascading entrance the piece concludes on a resounding sense of resolve.

A mini suite that is based on 1) God Rest Ye Merry Gentlemen” and, 2) “We Gather Together” an Austrian carol from the 17th century.The score is solid in part management but adds motifs of punctuation to add flavor. There are optional percussion parts for those who want to add more color to the performance.

A brass sextet with opt. parts for flugelhorn and BHTC. The beginning introduces stacked motives building to full chords. Following is a rendition of “When I Can Read My Title Clear” with melody broken down into fragments passed around to the various instruments. After key changes the quintet presents “I Am Bound For The Promised Land” in much the same fabric of the earlier section. After a brief transition in a new key we find “Just Over In The Glory Land” in a more flowing style than the earlier tunes. The Coda section becomes my rhythmically active where it ends on a solid chord .