| SKU: | 1578 |
|---|---|
| Category: | Quintets |
Five-By-Five For Weddings
$20.95
Quintet Collection
Related products
-
Brighten The Corner Where You Are
$12.00A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. After a bright intro, the trumpet carry the tune until handed over to the middle voices with flourishes in the trumpets. After a transition that leads upward to an exciting climax. The piece abruptly shits to a quiet and expressive section lead by the trombone on the theme where it all builds to another zenith and once again abruptly goes quiet. A modulation and meter shift and the piece becomes countrapuntally gentle.. A meter shift back to the beginning and an exuberant building to a joyous conclusion.
-
Spirit of God, Decend Upon My Heart
$10.00A standard brass quintet with optional trumpet for horn. The piece opens with a solo trumpet and gradually adds voices until it leads up to a modulation where the theme is now in the lower voices with gentle harmonic shifts. The upper voices respond with more motion until things are met with another modulation. This new section is more stayed until another modulation greets yet another modulation with the parts all intertwining amongst themselves and then… a solemn conclusion.
-
Carol Of The Bells
$12.00A traditional quintet with optional sixth part baritone, this driving arrangement passes the melodic material constantly around the ensemble. A fun piece to play!
-
I Will Sing Of The Mercies
$9.00A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone The piece passes through several modulations where the upper voices carry the melodic material while the lower voices support the ensemble with strength. The writing of this arrangement is well crafted to take advantage of the “woodwind quintet sounds.” It continues that way right up to the very end with a declamatory statement of “Mercy.”
-
How Firm A Foundation
$12.00Opening with a fanfare, the first section is in block harmonization with some moving lines. It then moves into melodic statements in the lower instruments with supported obiligatti in the trumpets and horn. The structure again becomes solid in scoring only to return with similar trumpet obbligati. The obbligati is next introduced in the lower voices and then increased rhythmic activity in all voices builds to a solid ending.
-
A New Name In Glory
$9.00A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of dialog between the lower, then upper voices. The second setion in a different key is reminiscent of the opening only this time in the middle voices and again moves in a Q&A type of dialog. Again modulating to a new key the theme is bounced around with rhythmical interest only to finalize in strong chordal patterns and ending on a bold declamation.
-
Give Me This Mountain
$12.00A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. It opens with rhythmic patterns where the first statement of the tune is presented by the trombone. The chorus is harmonically in block format where it comes to an end. NOW, something different the second trumpet and tuba present a simple accompaniment while all the other voice, yes voices, sing the words and melody of the song! A brief conclusion, a modulations and the piece returns to the texture of the earlier statement. The a bit of tongue and check statements and a very conclusive ending.
-
Christ Arose
$12.00Scored for traditional brass quintet, an optional bartione part can be used to expand the piece to a sextet. After an opening upper brass fanfare, the lower parts present the theme in solemn fashion with further extended fanfares from the upper lines. The middle section reverses the stylistic assignments only to be given back to the opening styles. The with a powerful stacking of parts the piece concludes in a triumphant chord.