Instrument | |
---|---|
Level | 1 |
Recording | |
Occasion | |
Theme | Monkland |
Writer | |
Publisher | |
Copyright | 2000 |
Fanfare Prelude on Monkland
$24.95
Related products
-
Like A River Glorious
This quintet (opt. Sextet) begins with extraneous motifs leading into the first statement of the theme in the low brass offset by answering material in the trumpets. The pieces continues in this question and answer texture passing motivic material around the parts. Then in a transition mimicking the beginning a modulation takes place where the theme is more expressive and becomes more aggressive leading up to a majestic coda where it ends on a thought-provoking conclusion.
-
Lead On O King Eternal
A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme by the trombone until the theme is passed around in fragments until the them is taken over by the trumpets, and the trombones. A modulation takes place where the theme is in the trombones with flourishes in the trumpets. The trumpets now take the theme with flourishes in the middle voices until the piece ends with a declamatory statement.
-
-
Spirit of God, Decend Upon My Heart
A standard brass quintet with optional trumpet for horn. The piece opens with a solo trumpet and gradually adds voices until it leads up to a modulation where the theme is now in the lower voices with gentle harmonic shifts. The upper voices respond with more motion until things are met with another modulation. This new section is more stayed until another modulation greets yet another modulation with the parts all intertwining amongst themselves and then… a solemn conclusion.
-
Hallelujah! We Shall Rise
A standard brass quintet with optional baritone for a sextet. The introduction starts in the tuba and then adds more voices as you would expect- rising! The tune is now bantered about between the upper voices and then lower ones. Modulation! And the Q&A game continues. Another modulation and the tempo suddenly changes to a slower, expressive one with the French horn featured. As before the Q&A continues. Another modulation and an “a tempo” where the piece now in full ensemble starts lower and softer and continually adds activity and pitch raising until a vigorous conclusion.
-
Blessed Assurance
This woodwind quintet (with opt. parts) is constantly on the move. While the melodic material is always made aware, the accompanying parts are full of movement. Even with metrical changes there is a constant flow giving a sense confidence and resolve. It bubbles from beginning to end and finally makes a solid statement of assurance.
-
-
Carol Of The Bells
A traditional quintet with optional sixth part baritone, this driving arrangement passes the melodic material constantly around the ensemble. A fun piece to play!