SKU: | RS0454 |
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Category: | Quintets |
When I Survey
$14.95
(fl, ob, cl, hn, bsn/bcl)
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Meeting In The Air
A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The piece takes off immediately with a thematic statement in the trombone, breaking in a duet with the horn. Additional entries keep massing in the lower voices until most of the ensemble is involved. All of a sudden, the upper brass, silently present the tune in block harmonies until the lower brass present a countermelody. Now! Everybody’s involved. Next, a dialog between the upper brass and middle brass takes place as it alternates back and forth. With a modulation in place the tempo goes slow, the tune is in the lower brass- expressive! All of a sudden from bottom to top motives are presented- in stacked chords…. This goes through different transformations until the piece elevates into an uplifting conclusion.
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Look And Live
A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme in the French horn, supplemented by trombone counterlines and trumpet flourishes. Thematic movies are then embellished leading up to a modulation where the tempo slows and a new mood encountered. The first trumpet carries the lead and offset with a horn duet line. Another modulation, an a-tempo with the theme in the low brass and accompaniment lines in the middle brass. This continues until the voices stack up until a boisterous conclusion is achieved.
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Lead On O King Eternal
A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme by the trombone until the theme is passed around in fragments until the them is taken over by the trumpets, and the trombones. A modulation takes place where the theme is in the trombones with flourishes in the trumpets. The trumpets now take the theme with flourishes in the middle voices until the piece ends with a declamatory statement.
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Spirit of God, Decend Upon My Heart
A standard brass quintet with optional trumpet for horn. The piece opens with a solo trumpet and gradually adds voices until it leads up to a modulation where the theme is now in the lower voices with gentle harmonic shifts. The upper voices respond with more motion until things are met with another modulation. This new section is more stayed until another modulation greets yet another modulation with the parts all intertwining amongst themselves and then… a solemn conclusion.
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Count Your Blessings
Be ye thankful! Written for standard woodwind quintet with optional parts, this piece is highly decorated melodically and active rhythmically. It gives both the sense of majesty and joy.
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Christ Arose
Scored for traditional brass quintet, an optional bartione part can be used to expand the piece to a sextet. After an opening upper brass fanfare, the lower parts present the theme in solemn fashion with further extended fanfares from the upper lines. The middle section reverses the stylistic assignments only to be given back to the opening styles. The with a powerful stacking of parts the piece concludes in a triumphant chord.
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A New Name In Glory
A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of dialog between the lower, then upper voices. The second setion in a different key is reminiscent of the opening only this time in the middle voices and again moves in a Q&A type of dialog. Again modulating to a new key the theme is bounced around with rhythmical interest only to finalize in strong chordal patterns and ending on a bold declamation.
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