SKU: | MW2021 |
---|---|
Category: | Duets |
Jesus Led Me All the Way
$4.95
Related products
-
To God Be The Glory
This duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!
-
Three German Carols #2 (acc)
A duet for flutes and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.
-
Three German Carols (acc)
A duet for flutes and piano and is presented as a suite. Titles include “God Is Love- Gott Ist Die Liebe,” “With the Shepherd Will I Go- Mit Den Hirten Will Ich Gehen'” “Come Hither Little Children- Ihl Kinderlein Komet.” Can be performed as a solo.
-
Power in the Blood (acc)
This flute duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
Silent Night
Scored for two woodwind instruments with piano, the piece begins with a solo line and then adds the duet line. The ending section does much the same only with more rhythmic enhancement. An easy piece but gives opportunity for much expression.
-
A New Name In Glory (unacc)
An unaccompied flute duet that begins with imitative devices between the parts then moves to a nice duet treatment. The piece becomes more contrapuntalas it progresse and then breaks into a series of florishes. It then settles down into a pleasant duet harmy and movement.
-
Three German Carols #2
A duet for clarinets and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.
-
In The Sweet By and By
An accompanied clarinet duet which begins with a melodic motif and then presents the hymn tune in untision my the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A forma with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another moduation where the first takes over as a soloist. Then another modulation and then the two parts present the chorus in a straight duet section. Where it remains until the end- as a strong final ending.