| Instrument | |
|---|---|
| Level | 3 |
| Preview | https://www.despub.com/wp-content/uploads/pdfs/pdf145427.pdf |
| Recording | https://www.despub.com/wp-content/uploads/music/mpt145427.mp3 |
| Occasion | |
| Tune Name | |
| Theme | When We All Get To Heaven |
| Hymn First Line | Sing the wondrous love of Jesus |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1998 |
| Key | Bb, Eb, Ab |
| Meter | 4-4 |
| Duration | 2'30" |
| Idiom | Brass quartet |
| Form | Song (ternary) |
| Comments | (2-tp, 2-trb, opt) |
When We All Get To Heaven
$7.00
Scored for two trumpets and two trombones with opt. Horn for Trom. 1 and Bar. TC for Trom. 2. The opening begins excitedly while giving a sense of moving upward. The first presentation of the theme is very much in a march style and then breaks into more activity with rhythmic alterations. The second section moves to a new key and is essentially a trombone duet and then adds upper voices to place the piece on an elevated plain. Another modulation moves the musical thought even higher while passing the melodic motifs around to the different voices. The Coda gives a sense of elevation and arrival.
Related products
-
-
What A Friend
$9.00Scored for Saxophone quartet (A-A-T-B) with opt. Soprano for first Alto. The introduction starts with the First Alto playing a melodic motif, ever rising to a climatic point and then settling down to the theme- first presented in the First and Tenor parts weaving in and out producing a flowing texture, then joined by the Second Alto and eventually the Baritone. The chorus section of the hymn is a constant weaving of the four parts both harmonically and rhythmically. The next section becomes more active rhythmically adding tension until it settles down into a sweet aura of sound with gentle nudges of harmonic alteration. The final measures give an atmosphere of rest and solace.
-
-
-
God So Loved The World (unacc)
$8.00A unaccompanied flute quartet that begins with an extensive introduction with moving lines in all four parts. The next section is carried in the fourth part with counter lines in the upper parts. The interest then shifts to the upper parts with counterlines in the lower voices. The last section is carried by the upper line but is shifted around the various voices giving much interest to the piece and a sense of constant movement
-
O Sacred Head (unacc)
$5.00This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.
-
And Can It Be
$9.00Scored for full saxophone quartet, this piece immediately marches off with the dignity that this grand old hymn portrays. The theme is passed around amongst the various parts to add player satisfaction and joy to the listener. (S/A-A-T-B)
-
Tis So Sweet To Trust
$8.00A quartet for 2 flutes and 2 clarinets with opt. parts for oboe, B. clar., bassoon and Alto sax. After a brief introduction the flutes carry the melodic material and then shifting the chorus to the clarinets. A modulation shifts the attention to the clarinet melody with punctuation remarks in the other instruments. Further transition moves to another modulation where thematic motifs are passed around in a fughetta fashion where it then becomes more choral in nature ending in a solemn statement.
