To God Be The Glory

This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.

This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.

“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.

This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.

This clarinet trio begins with a delightful moving motive in the piano to be joined with the first part, then a duet with part two and then a trio with all three parts. The next section is solemn as the piano drops out and then all join in for an active presentation. The last section begins the theme in the third part with some imitation from part two until the first part takes over the theme and continues in this manner. The coda is simple giving a sense of peace.